After completing a teser trailer I have decided to look at the ideas of distrubution through the music industries and hopefully create and complete a music video.
Bricolage: is a term used in several disciplines, among them the visual arts, to refer to the construction or creation of a work from a diverse range of things that happen to be available, or a work created by such a process. So it's the process of assembling artefacts from bits and pieces of other things.
- Through the idea of Bricolage, I have learned that the creation of making your music video should be unique in which looking at the constuction of a main image, embedding in consistantly in the music video to show a key effect emphasising on representing the main idea.
- Through the idea of Bricolage, I have learned that the creation of making your music video should be unique in which looking at the constuction of a main image, embedding in consistantly in the music video to show a key effect emphasising on representing the main idea.
Hyperreality:
Most aspects of hyperreality can be thought of as "reality by proxy." Some examples are simpler: the McDonald's "M" arches allegedly make the material promise of endless amounts of identical food from the store, when in "reality" the "M" represents nothing, and the food produced is neither identical nor infinite, as a person would expect from a fast food restaurant.
-Through looking at the idea of Hyperreality, the idea of logos and representation comes to mind. Showing that my music video must have a key image. (like under a music industry production)
-Through looking at the idea of Hyperreality, the idea of logos and representation comes to mind. Showing that my music video must have a key image. (like under a music industry production)
Intertextuality: is the shaping of texts' meanings by other texts. It can include an author’s borrowing and transformation of a prior text or to a reader’s referencing of one text in reading another. The term “intertextuality” has, itself, been borrowed and transformed many times since it was coined by poststructuralist Julia Kristeva in 1966. As critic William Irwin says, the term “has come to have almost as many meanings as users, from those faithful to Kristeva’s original vision to those who simply use it as a stylish way of talking about allusion and influence.”
-Through the idea of Inertextuality, I have learned that shouldn't just look at the lyrics and look with what's embedded underneathe.
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